Parasite: unlike anything you've ever seen

Parasite is such a fantastic movie that even its comparison with other amazing works can be dangerous. Korean director Bong Joon-ho has such control over the narrative and the camera that we often feel in a Hitchcock or Tarantino movie or even Italian neorealism. And it all flows smoothly.

The film begins as a custom comedy. Kim Ki-woo's family (Choi Woo-sik) lives so far below the poverty line in Korean society, that resides in a basement. They're always trying to capture wifi signals from surface neighbors, or leaving the windows open to benefit from the plagues fumigation made by the city hall on the streets.

The boy's life experiences a turnaround when a friend who is taking a trip abroad indicates him as a tutor to a girl he is teaching English. The friend is in love with the girl and trusts Kim, who knows why, to keep her safe.

Changing his name to Kevin, the boy begins his classes at the magnificent home of the fancy family, and, as expected, the girl Park Da-hye (Jung Ziso) soon falls in love with him. But your dream is much more ambitious: getting a job for your whole family in the house.

First, he convinces the girl's mother Yeon-kyo (Jo Yeo-jeong in great acting) to hire an art psychologist named Jessica, actually her sister Ki-jung (Park So-dam) for the hyperactive younger son. Using tricks, the Kim family's father and mother are soon admitted to the house. And on a Parks trip, they celebrate at their "new" residence.

After that apparent happy ending, everything changes in the movie. Former housekeeper Moon-gwang (Jeong-eun Lee) returns home and brings with her a great secret hidden until then. The outbreak of this surprise causes scenes worthy of a thriller, which only ends with the unexpected return of the Parks. What follows are comical scenes and amenities, until the terrible birthday of little boy Da-son (Hyun-jun Jung).

From there, chaos, destruction, and despair. And an ending. Or would it be two?

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