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Spider-verse: universes parallels to animation

  • Writer: JORGE MARIN
    JORGE MARIN
  • Jan 4, 2019
  • 2 min read

Updated: Mar 6, 2022


Spider-Man: Into the Spider-Verse is a movie that surpasses the shallow concept of animation and launches (webs?) in a well-elaborated plot that ends up being an autonomous work, far beyond the kitsch universe of the minor heroes of Hollywood and with artistic pretensions unimaginable.

The story subverts what you have become used to see in movies born of comic books. To begin with, the hero, Miles Morales, is a Brooklyn boy of black-Spanish descent. At the outset, the great drama of the boy's life is the difficulty of getting in touch with the staff of his new private school, where he was taken by his father (sometimes literally by car), a tough cop who vehemently disapproves the work of the vigilante Spider-Man who (calm!) either exists and is not yet our main character.

The plot is elaborated within the notion of multiple universes, but these concepts do not weigh the development of the scenes, always executed with much precision and beauty. In fact, what strikes the Aranha-Verse is the force of images, which occur naturally without being attached to any specific style.

At no point does the movie try to convince viewers that it is not an animation itself. On the contrary, the colors explode on the screen, in psychedelia that superimposes the textures of old comics with the modern features of live action. The amazing thing is that everything is done at the same time, overlapping rough elements with a highly evolved design.

When the various spidermen begin to emerge, as a side effect of a particle accelerator capable of fusing multiple multiverses, the visual impact is accentuated because there is a mix of styles, including the bizarre 2D pig Spider-Ham or the Spider-Man Noir in black and white. However, the art direction is perfect, the dialogues remain consistent and, what is the great quality of the film, the good mood is contagious.

Even though the fight with the King of Crime is over and the conflict with his father is resolved, the new Spider-Man of this universe remains connected with parallel universes, culminating in a sensational scene in post-credits.

 
 
 

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